Product details

Immersive audio re-invented

With the explosion of spatial audio, studios of all sizes need to implement multichannel monitoring, from 7.1.4 and beyond. iLoud MTMs are the ideal immersive audio reference system, packed with features to take your Atmos® mixes to the next level.

Accuracy made easy

iLoud MTM studio monitors are now available in the latest Dolby Audio Room Design Tool (DARDT) for Atmos® systems. So you can quickly, easily and precisely install a multi-monitor setup that adheres to Dolby’s standards, anywhere.

Instantly adjusts to any positioning

iLoud MTM’s built-in ARC self-calibration mean it adjusts in seconds to any placement, including ceiling-mounting, correcting their output to ensure the most precise, balanced sound from every position, without struggling with placement and spacing.

Point-source performance at any distance

iLoud MTM is ideal for multichannel installations being linear phase and having a point-source acoustic performance to be very accurate at any distance. This minimizes the inaccuracies conventional speakers introduce in the imaging, which is critical for multichannel and immersive setups.

Reduced acoustic interaction

iLoud MTM’s midwoofer-tweeter-midwoofer design boasts dramatically more controlled vertical dispersion than typical designs. This minimizes the speakers’ interaction with room acoustics (and each other), making it ideal for rooms not custom-tuned for surround audio.

Lighter, smaller and easy to mount

iLoud MTM makes setting up a multichannel rig easy! At 30 – 50% smaller and lighter than comparable studio monitors, you’ll find setup a breeze in any size room. With available ceiling/wall mounting brackets, iLoud MTMs are fast to mount. And where that’s not an option, their threaded bottom fits on any standard microphone stand.

80 Hz low cutoff for bass management and subwoofer integration

iLoud MTM has a deep low-frequency extension for its size. Being a compact speaker, using its lowest cutoff point requires reducing the maximum SPL. In immersive setups where that lower cutoff isn’t needed and speakers are at a greater distance from the mixing position, this isn’t ideal.

Proper bass management can help by letting the main and surround speakers focus on the frequency range they do best and letting the subwoofers handle the low-frequency range.

Adding a standard 80 Hz (LFE) setting to MTM allows for quick integration with subwoofers at the frequency and slope that are considered the standard when doing bass management in multichannel or immersive setups.

Immersive Mounting Solution

Custom IK mounting brackets for immersive installations are now available! These rugged metal brackets are the perfect solution for installing iLoud MTMs anywhere and offer adjustment for positioning the speakers to suit your mixing space and configuration.

iLoud MTM’s 3/8" threaded bottom also allows you to mount MTMs directly to standard mic stands in most countries or by using a 5/8" male to 3/8" female thread adapter (required for the US and some territories). Between the brackets, threaded bottom and built-in ARC speaker calibration/room correction software, iLoud MTM quickly adapt to any mixing space, just add a sub of your choice for a 7.1.4 configuration.

Specifications

• Type: 2-Way/3-speakers bi-amped, digitally controlled studio monitor
• LF Drivers: 2 x 3.5” polypropylene custom made mid-woofers
• HF Driver: 1” low distortion, back chambered silk dome tweeter
• Acoustic Design: DSP tuned bass reflex
• Number of amps per speaker: 2
• Amplifiers type: High efficiency Class-D
• Total power: 100W RMS
• LF power: 70W RMS
• HF power: 30W RMS
• Crossover Type: Linear Phase Variable Order
• Crossover Frequency: 3.1kHz
• Frequency response: from 50 Hz to 24 kHz +/- 2dB (40 Hz -6dB when uncal, -3 dB when cal)
• Phase response: System remains coherent within +/- 15° from 200Hz to 20kHz
• Sensitivity at +4dBu: 0dBu signal generates a 100 dB SPL @ 1 m
• Sensitivity at -10dBV: -11dBu signal generates a 100 dB SPL @ 1 m
• Maximum SPL @ 1m, one speaker playing, on axis: 103dB from 200Hz up sine wave, 95dB at 100Hz sine, 93dB pink noise
• Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
• LF extension switch: Sets -3dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
• LF switch: Low shelf, +2dB or -3dB from 100Hz down
• HF switch: high shelf, +2dB or -2dB from 8kHz up
• Desk switch: -4dB at 160Hz and +1dB at 1.8kHz
• Calibration: Fully automatic and built-in digital calibration, microphone included
• Measurement Microphone: Omnidirectional, Mems based precision measurement microphone
• Full DSP control
  Connectors: 1x combo XLR-1/4” TRS balanced input; 1/8” TS ARC microphone input, 1 x USB type-B (service use only), AC POWER socket
• Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60Hz, 120W max power consumption