{"title":"sE Electronics","description":"\u003cp\u003eShop genuine sE Electronics products in India from Pro Audio Brands, an authorised dealer with pan-India shipping.\u003c\/p\u003e","products":[{"product_id":"se-electronics-se8-small-diaphragm-condenser-microphone-pair","title":"sE Electronics sE8 Small-Diaphragm Condenser Microphone (Pair)","description":"\u003cp\u003eThe sE Electronics sE8 Pair supplies two hand-crafted true condenser small diaphragm cardioids, each 25 mV\/Pa with 13 dB self noise, two pads to 159 dB SPL and switchable 80 Hz or 160 Hz low cut.\u003c\/p\u003e\n\u003ch2\u003eA matched pair for stereo positions\u003c\/h2\u003e\n\u003cp\u003eTwo identical small diaphragm condensers is the standard requirement for drum overheads, piano, stereo acoustic guitar, string sections and room pairs. Both microphones must behave the same way or the stereo image inherits their differences.\u003c\/p\u003e\n\u003cp\u003eThe sE8's 13 dB self noise matters more in these positions than on a close source, because stereo techniques usually sit further back and need more gain.\u003c\/p\u003e\n\u003ch2\u003eControl on each microphone\u003c\/h2\u003e\n\u003cp\u003ePads at -10 dB and -20 dB give maximum SPL of 139, 149 or 159 dB at 0.5 percent THD. Low cut is switchable at 80 Hz or 160 Hz at 6 dB per octave. Having both filter options is useful on overheads, where 160 Hz keeps the kick and toms out of the cymbal channels.\u003c\/p\u003e\n\u003cp\u003eEach capsule is a hand-crafted 1\/2 inch true condenser, sensitivity 25 mV\/Pa, response 20 Hz to 20 kHz, weight 141 g, on a gold plated 3 pin XLR.\u003c\/p\u003e\n\u003ch2\u003eAgainst the sE7 pair\u003c\/h2\u003e\n\u003cp\u003eThe sE7 pair is the more affordable option with a back-electret capsule, 16 dB self noise, one pad and one filter frequency. The sE8 pair adds output, lowers noise and doubles the switch options. For overheads on a loud kit, the extra pad step is worth having.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Two small diaphragm condensers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e Hand-crafted 1\/2 inch true condenser, each\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 25 mV\/Pa, -32 dBV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 13 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 139 \/ 149 \/ 159 dB at 0, 10 and 20 dB pad\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e 80 Hz or 160 Hz, 6 dB per octave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 141 g each\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThis listing:\u003c\/strong\u003e Pair, for stereo recording\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978161643658,"sku":"SKU_1739466906063_130","price":43690.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/ondenser-microphone-pair-online-buy-india-01.webp?v=1739466908"},{"product_id":"se-electronics-se8-small-diaphragm-condenser-microphone","title":"sE Electronics sE8 Small-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE8 is a small diaphragm cardioid condenser on a hand-crafted 1\/2 inch true condenser capsule, 20 Hz to 20 kHz at 25 mV\/Pa with 13 dB self noise, two pads reaching 159 dB SPL and two low cut frequencies. It weighs 141 g.\u003c\/p\u003e\n\u003ch2\u003eTrue condenser, not electret\u003c\/h2\u003e\n\u003cp\u003eThe sE8 uses an externally polarised true condenser capsule rather than the back-electret design in the cheaper sE7. In practice the difference shows in the noise floor and the output: 13 dB self noise and 25 mV\/Pa here, against 16 dB and 19 mV\/Pa on the sE7.\u003c\/p\u003e\n\u003cp\u003eThree decibels of self noise and 2.5 dB of extra output sound minor. On a distant room pair or a quiet acoustic source, where the preamp has to be turned up, they are what keeps the recording clean.\u003c\/p\u003e\n\u003ch2\u003eTwo pads and two filters\u003c\/h2\u003e\n\u003cp\u003ePads are switchable at -10 dB and -20 dB, giving maximum SPL of 139 dB, 149 dB or 159 dB at 0.5 percent THD at 1 kHz. Low cut is switchable at 80 Hz or 160 Hz, 6 dB per octave.\u003c\/p\u003e\n\u003cp\u003eHaving two of each rather than one is the practical advantage over the sE7. A 160 Hz filter is the one to use on a close acoustic guitar where 80 Hz leaves too much body.\u003c\/p\u003e\n\u003ch2\u003eSingle or pair\u003c\/h2\u003e\n\u003cp\u003eThis listing is one microphone with a mic clip, thread adapter and windscreen. The sE8 pair supplies two for overheads, stereo acoustic or a room pair. The connector is a gold plated 3 pin male XLR.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Small diaphragm condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e Hand-crafted 1\/2 inch true condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 25 mV\/Pa, -32 dBV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 13 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 139 \/ 149 \/ 159 dB at 0, 10 and 20 dB pad, 0.5 percent THD at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePads:\u003c\/strong\u003e -10 dB and -20 dB switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e 80 Hz or 160 Hz, 6 dB per octave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e 3 pin male XLR, gold plated\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 141 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThis listing:\u003c\/strong\u003e Single microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003esE8 microphone\u003c\/li\u003e\n\u003cli\u003eMic clip with thread adapter\u003c\/li\u003e\n\u003cli\u003eWind screen\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978162888842,"sku":"SKU_1739467015216_766","price":21900.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/hragm-condenser-microphone-online-buy-india-01_50017d01-73f0-463b-81b1-2dbf39012696.webp?v=1739467017"},{"product_id":"se-electronics-se7-small-diaphragm-condenser-microphone-pair","title":"sE Electronics sE7 Small-Diaphragm Condenser Microphone (Pair)","description":"\u003cp\u003eThe sE Electronics sE7 Pair supplies two sE7 small diaphragm cardioid condensers for stereo work. Each is a 1\/2 inch back-electret capsule at 19 mV\/Pa with 16 dB self noise, a 20 dB pad reaching 156 dB SPL and an 80 Hz low cut.\u003c\/p\u003e\n\u003ch2\u003eWhy these need to come in twos\u003c\/h2\u003e\n\u003cp\u003eDrum overheads, a stereo acoustic guitar capture, a piano pair, an ORTF or XY room pair: every one of these requires two microphones of the same model, because any tonal difference between them shows up as an imbalance between the left and right sides of the recording.\u003c\/p\u003e\n\u003cp\u003eSmall diaphragm condensers are the standard choice for all of those positions, because a 1\/2 inch capsule tracks the attack of a cymbal or a string more accurately than a larger one.\u003c\/p\u003e\n\u003ch2\u003eWhat each microphone does\u003c\/h2\u003e\n\u003cp\u003eCardioid pattern, 20 Hz to 20 kHz, 19 mV\/Pa sensitivity, 16 dB self noise. A 20 dB pad lifts maximum SPL from 136 dB to 156 dB, which covers close cymbal and snare positions. The low cut is 80 Hz at 6 dB per octave.\u003c\/p\u003e\n\u003cp\u003eEach microphone weighs 128 g and terminates in a 3 pin male XLR.\u003c\/p\u003e\n\u003ch2\u003ePair or single\u003c\/h2\u003e\n\u003cp\u003eThe single sE7 listing is the same microphone on its own, for a mono source such as an acoustic guitar or a hi-hat. This pair is the one to order for any stereo technique.\u003c\/p\u003e\n\u003cp\u003eThe sE8 pair is the step up, with a hand-crafted true condenser capsule, 13 dB self noise, two pad settings and two filter frequencies.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Two small diaphragm condensers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e 1\/2 inch back-electret, each\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 19 mV\/Pa, -35 dBV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 16 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 136 dB, 156 dB with the 20 dB pad\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e 80 Hz, 6 dB per octave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 128 g each\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThis listing:\u003c\/strong\u003e Pair, for stereo recording\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978164330634,"sku":"SKU_1739467091261_340","price":25490.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/m-condenser-microphone-pair-online-buy-india.webp?v=1739467092"},{"product_id":"se-electronics-se7-small-diaphragm-condenser-microphone","title":"sE Electronics sE7 Small-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE7 is a small diaphragm cardioid condenser on a 1\/2 inch back-electret capsule, 20 Hz to 20 kHz at 19 mV\/Pa, with 16 dB self noise, a 20 dB pad taking it to 156 dB SPL, and an 80 Hz low cut. It weighs 128 g.\u003c\/p\u003e\n\u003ch2\u003eWhat a small diaphragm does that a large one does not\u003c\/h2\u003e\n\u003cp\u003eA 1\/2 inch capsule is lighter than a one inch capsule, so it follows fast transients more accurately. That is why small diaphragm condensers are the default on acoustic guitar, hi-hat, cymbals, percussion and strings, where the attack carries the character.\u003c\/p\u003e\n\u003cp\u003eThe cardioid pattern rejects from behind, and at 128 g the sE7 is light enough to mount on a thin boom over a drum kit without the stand drifting during a session.\u003c\/p\u003e\n\u003ch2\u003ePad and filter\u003c\/h2\u003e\n\u003cp\u003eA switchable 20 dB pad raises maximum SPL from 136 dB to 156 dB. That upper figure is what makes the sE7 usable as a close cymbal or snare microphone rather than only as a room or acoustic instrument microphone.\u003c\/p\u003e\n\u003cp\u003eThe low cut is 80 Hz at 6 dB per octave, which removes stage rumble and handling noise without touching the body of an acoustic instrument.\u003c\/p\u003e\n\u003ch2\u003eSingle or pair\u003c\/h2\u003e\n\u003cp\u003eThis listing is one microphone, supplied with a mic clip, thread adapter and windscreen. The sE7 pair listing supplies two, which is what drum overheads, a stereo acoustic guitar recording or an ORTF room pair requires.\u003c\/p\u003e\n\u003cp\u003eFor lower self noise and higher output, the sE8 uses a hand-crafted true condenser capsule at 25 mV\/Pa and 13 dB self noise, with two pads and two filter frequencies.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Small diaphragm condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e 1\/2 inch back-electret\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 19 mV\/Pa, -35 dBV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 16 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 136 dB, 156 dB with the 20 dB pad\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e 20 dB switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e 80 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e 3 pin male XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 128 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThis listing:\u003c\/strong\u003e Single microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003esE7 microphone\u003c\/li\u003e\n\u003cli\u003eMic clip with thread adapter\u003c\/li\u003e\n\u003cli\u003eWind screen\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978175537290,"sku":"SKU_1739467174498_672","price":18900.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/hragm-condenser-microphone-online-buy-india-01_3cc1fedd-75bf-408f-b0eb-48a22e40ca42.webp?v=1739467204"},{"product_id":"se-electronics-t2-condenser-microphone","title":"sE Electronics T2 Condenser Microphone","description":"\u003ch2\u003eTITANIUM MAKES THE DIFFERENCE\u003c\/h2\u003e\n\u003cp\u003eThe T2 appeals with its down-to-earth elegance, offering discrete electronics prioritizing the features you really need. With titanium being much stiffer and three times lighter than gold, your transients will never be the same.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHand-crafted titanium-sputtered true condenser capsule\u003c\/li\u003e\n\u003cli\u003eAccurate definition and fast transient response\u003c\/li\u003e\n\u003cli\u003eSwitchable pickup patterns, cardioid, omnidirectional, figure-eight, and hypercardioid\u003c\/li\u003e\n\u003cli\u003eInnovative close-miking shockmount\u003c\/li\u003e\n\u003cli\u003e40 \/ 80 Hz bass-cut filters and -10 \/ -20 dB pads\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComponents\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003cbr\u003eHand-crafted 1“ true condenser capsule\u003cbr\u003e\u003cstrong\u003eDiaphragm\u003c\/strong\u003e\u003cbr\u003eTitanium-sputtered mylar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eElectrical impedance\u003c\/strong\u003e\u003cbr\u003e22 Ohms\u003cbr\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003cbr\u003e3-pin male XLR connector\u003cbr\u003e\u003cstrong\u003ePowering\u003c\/strong\u003e\u003cbr\u003e48 Volts according to IEC 61938\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSound\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003cbr\u003eCardioid, Hypercardioid, Omni-directional, Figure-8\u003cbr\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003cbr\u003e20 Hz - 20 kHz\u003cbr\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e25 mV \/ Pa (-32 dBV)\u003cbr\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003cbr\u003e137 \/ 147 \/ 157 dBSPL (0\/10\/20 dB Attenuation pad - 0.5% THD)\u003cbr\u003e\u003cstrong\u003eEquivalent noise level\u003c\/strong\u003e\u003cbr\u003e13 dB(A)\u003cbr\u003e\u003cstrong\u003eSignal to noise ratio\u003c\/strong\u003e\u003cbr\u003e81 dB\u003cbr\u003e\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e\u003cbr\u003e40 \/ 80 Hz, 6 dB\/Oct, switchable\u003cbr\u003e\u003cstrong\u003eAttenuation pad\u003c\/strong\u003e\u003cbr\u003e10 \/ 20 dB, switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMic weight\u003c\/strong\u003e\u003cbr\u003e290 g (10.23 oz.)\u003cbr\u003e\u003cstrong\u003eMic length\u003c\/strong\u003e\u003cbr\u003e146 mm (5.75 in.)\u003cbr\u003e\u003cstrong\u003eMic width\u003c\/strong\u003e\u003cbr\u003e58 mm (2.32 in.)\u003cbr\u003e\u003cstrong\u003eMic diameter\u003c\/strong\u003e\u003cbr\u003e29 mm (1.10 in.)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978176225418,"sku":"SKU_1739467259737_402","price":54300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/onics-t2-condenser-microphone-online-buy-india.webp?v=1739467261"},{"product_id":"se-electronics-se4400a-multipattern-condenser-microphone-pair","title":"sE Electronics sE4400a Multipattern Condenser Microphone (Pair)","description":"\u003cp\u003eThe sE Electronics sE4400a Pair supplies two multipattern condensers, each with cardioid, hypercardioid, omnidirectional and figure-8 patterns, a one inch gold-sputtered capsule, 10 and 20 dB pads and a switchable low cut.\u003c\/p\u003e\n\u003ch2\u003eFour patterns on two microphones\u003c\/h2\u003e\n\u003cp\u003eThis is the most flexible stereo pair configuration available from a single purchase. Two figure-8 capsules at 90 degrees give Blumlein. A cardioid or omni with a figure-8 gives mid-side, where the stereo width is adjustable after the recording rather than committed during it. Two cardioids give XY or ORTF, and two omnis give a spaced pair with full low frequency extension.\u003c\/p\u003e\n\u003cp\u003eAdding hypercardioid to the set covers the case where the pair must reject a specific direction, such as a monitor wedge or an adjacent instrument.\u003c\/p\u003e\n\u003ch2\u003eEach microphone\u003c\/h2\u003e\n\u003cp\u003eHand-crafted one inch gold-sputtered true condenser capsule, 20 Hz to 20 kHz, sensitivity about 25 mV\/Pa, self noise 16 dB, signal to noise 78 dB. Pads switch at 10 dB and 20 dB, and a low cut filter is switchable on the body.\u003c\/p\u003e\n\u003ch2\u003eWhen one is enough\u003c\/h2\u003e\n\u003cp\u003eFor a single vocal or instrument source, the single sE4400a listing covers it at half the cost. This pair is for stereo work, and for anyone recording classical, orchestral, choral or drum overheads where the two microphones must match.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Two multipattern large diaphragm condensers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e Hand-crafted 1 inch gold-sputtered true condenser, each\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar patterns:\u003c\/strong\u003e Cardioid, hypercardioid, omnidirectional, figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e About 25 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 16 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to noise:\u003c\/strong\u003e 78 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePads:\u003c\/strong\u003e 10 dB and 20 dB switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e Switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThis listing:\u003c\/strong\u003e Pair, for stereo recording\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978177077386,"sku":"SKU_1739467324296_477","price":108900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/n-condenser-microphone-pair-online-buy-india.webp?v=1739467325"},{"product_id":"se-electronics-se4400a-multipattern-condenser-microphone","title":"sE Electronics sE4400a Multipattern Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE4400a is a multipattern large diaphragm condenser with four polar patterns, a hand-crafted one inch gold-sputtered capsule, 20 Hz to 20 kHz at about 25 mV\/Pa, with switchable 10 and 20 dB pads and a switchable low cut. Self noise is 16 dB and signal to noise is 78 dB.\u003c\/p\u003e\n\u003ch2\u003eFour patterns from the body\u003c\/h2\u003e\n\u003cp\u003eCardioid, hypercardioid, omnidirectional and figure-8 are selected on the microphone. Four patterns rather than the usual three matters because of hypercardioid: it is tighter at the front than cardioid and rejects the sides more firmly, which is the pattern to use when a source has to be isolated from others in the same room.\u003c\/p\u003e\n\u003cp\u003eFigure-8 opens up mid-side and Blumlein recording, and omni gives the flattest low frequency response with no proximity effect.\u003c\/p\u003e\n\u003ch2\u003ePads, filters and headroom\u003c\/h2\u003e\n\u003cp\u003eAttenuation is switchable at 10 dB and 20 dB, and a low cut filter is switchable on the body. Between the pattern switch, the pad and the filter, the microphone is configured at the stand rather than fixed afterwards in the mix.\u003c\/p\u003e\n\u003cp\u003eSensitivity is about 25 mV\/Pa. Self noise on this version is 16 dB with a signal to noise ratio of 78 dB.\u003c\/p\u003e\n\u003ch2\u003eSingle or matched pair\u003c\/h2\u003e\n\u003cp\u003eThis listing is one microphone. 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It weighs 445 g.\u003c\/p\u003e\n\u003ch2\u003eNine decibels of self noise\u003c\/h2\u003e\n\u003cp\u003eSelf noise of 9 dB is low for any condenser and unusual at this price. It is the specification that decides how a microphone performs on quiet sources: a soft vocal, a fingerpicked guitar, a voiceover recorded at a polite level. Below the microphone's own noise floor, nothing is recoverable.\u003c\/p\u003e\n\u003cp\u003eSensitivity is 30 mV\/Pa, the highest in the X1 range, which means less preamp gain is needed and less preamp noise arrives with the signal.\u003c\/p\u003e\n\u003ch2\u003eA 160 dB ceiling\u003c\/h2\u003e\n\u003cp\u003ePads are switchable at -10 dB and -20 dB, giving 140 dB, 150 dB or 160 dB maximum SPL at 0.5 percent THD at 1 kHz. A 160 dB ceiling is higher than most studio condensers reach and puts the X1S in front of a kick drum or a guitar cabinet without concern.\u003c\/p\u003e\n\u003cp\u003eLow cut is switchable at 80 Hz or 160 Hz, 6 dB per octave. The 160 Hz setting is for close vocal work where proximity effect is heavy.\u003c\/p\u003e\n\u003ch2\u003eAgainst the X1A\u003c\/h2\u003e\n\u003cp\u003eThe X1A uses a 2\/3 inch back-electret capsule at 16 dB self noise and 20 mV\/Pa, with a single 20 dB pad and a fixed 100 Hz filter. The X1S adds a true condenser capsule, 7 dB less self noise, more output and twice the switching.\u003c\/p\u003e\n\u003cp\u003eIt ships with a microphone stand clip and a thread adapter.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Large diaphragm condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e Hand-crafted 1 inch true condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 30 mV\/Pa, -31 dBV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 9 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 140 \/ 150 \/ 160 dB at 0, 10 and 20 dB pad, 0.5 percent THD at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePads:\u003c\/strong\u003e -10 dB and -20 dB switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e 80 Hz or 160 Hz, 6 dB per octave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e 3 pin male XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 445 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eX1 S microphone\u003c\/li\u003e\n\u003cli\u003eMicrophone stand clip\u003c\/li\u003e\n\u003cli\u003eThread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978204274826,"sku":"SKU_1739467698356_332","price":18900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/s-x1s-condenser-microphone-online-buy-india-01.webp?v=1739467700"},{"product_id":"se-electronics-x1a-condenser-microphone","title":"sE Electronics X1A Condenser Microphone","description":"\u003cp\u003eThe sE Electronics X1A is a large diaphragm cardioid condenser on a 2\/3 inch back-electret capsule, 20 Hz to 20 kHz at 20 mV\/Pa with 16 dB self noise, a 20 dB pad reaching 150 dB SPL and a 100 Hz low cut. It weighs 390 g.\u003c\/p\u003e\n\u003ch2\u003eThe entry point to the X1 range\u003c\/h2\u003e\n\u003cp\u003eThe X1A is the model to start with for a first condenser: vocals, voiceover, acoustic guitar and podcasting, in a cardioid pattern that rejects the room behind the microphone.\u003c\/p\u003e\n\u003cp\u003eThe capsule is a 2\/3 inch back-electret. That is smaller than the one inch true condenser in the X1S, and it is the main reason for the difference in price and in noise floor between the two.\u003c\/p\u003e\n\u003ch2\u003ePad and filter\u003c\/h2\u003e\n\u003cp\u003eA 20 dB pad raises maximum SPL from 130 dB to 150 dB at 0.5 percent THD at 1 kHz, so the X1A can sit in front of a guitar cabinet or a snare as well as a voice. The low cut is fixed at 100 Hz, 6 dB per octave, switchable on or off.\u003c\/p\u003e\n\u003cp\u003eOne hundred hertz is a slightly higher corner than the 80 Hz used on most microphones, which suits close vocal work where proximity effect builds up quickly.\u003c\/p\u003e\n\u003ch2\u003eX1A or X1S\u003c\/h2\u003e\n\u003cp\u003eThe X1S uses a hand-crafted one inch true condenser capsule with 9 dB self noise against 16 dB here, 30 mV\/Pa against 20 mV\/Pa, two pad settings and two filter frequencies. If the microphone will be used on quiet sources or in a treated room, the X1S is a real step up.\u003c\/p\u003e\n\u003cp\u003eFor a home setup where room noise sets the floor anyway, the X1A is the sensible buy. It ships with a swivel mic clip and a stand thread adapter.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Large diaphragm condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e 2\/3 inch back-electret\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 20 mV\/Pa, -34 dBV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelf noise:\u003c\/strong\u003e 16 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e 130 dB, 150 dB with the 20 dB pad, 0.5 percent THD at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow cut:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e 3 pin male XLR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 390 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eX1A microphone\u003c\/li\u003e\n\u003cli\u003eSwivel mic clip\u003c\/li\u003e\n\u003cli\u003eMic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978216562826,"sku":"SKU_1739467767484_446","price":9800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/s-x1a-condenser-microphone-online-buy-india-01.webp?v=1739467792"},{"product_id":"se-electronics-guitarf-guitar-amplifier-reflection-filter","title":"sE Electronics guitaRF Guitar Amplifier Reflection Filter","description":"\u003cp\u003eThe sE Electronics guitaRF is a Reflexion Filter made for a guitar amplifier rather than a voice, mounting in front of the cabinet with the microphone inside it so the recorded sound is the speaker rather than the room.\u003c\/p\u003e\n\u003ch2\u003eThe problem it solves\u003c\/h2\u003e\n\u003cp\u003eA guitar cabinet in a small room is loud enough to excite every surface around it. The microphone in front of the speaker hears the cone, and then hears the wall behind the cabinet, the ceiling and the floor arriving a few milliseconds later. Those reflections are what make a home recorded guitar sound smaller than the amp does in the room.\u003c\/p\u003e\n\u003cp\u003ePlacing the amplifier and microphone inside a reflection filter reduces what returns from the room, so the recorded track is closer to what the speaker is producing.\u003c\/p\u003e\n\u003ch2\u003eWhy an amp version differs from a vocal one\u003c\/h2\u003e\n\u003cp\u003eA vocal Reflexion Filter sits behind the microphone and faces the singer. A guitar filter has to deal with far higher sound pressure levels and with a source that is fixed in position, which changes both the construction requirement and where the filter is placed.\u003c\/p\u003e\n\u003cp\u003eIt uses the same sE multi-layer approach that works evenly across the frequency spectrum rather than absorbing only the top end, which matters on guitar where the important information sits in the midrange.\u003c\/p\u003e\n\u003ch2\u003ePractical notes\u003c\/h2\u003e\n\u003cp\u003eRecording a loud cabinet at close range is still loud in the room. The guitaRF reduces what the microphone picks up from the room, not what the room hears from the amplifier. Hearing protection and neighbours remain your own problem.\u003c\/p\u003e\n\u003cp\u003esE publishes downloadable setup guides for the Reflexion Filter range, including the guitaRF, which are worth reading before the first session since placement decides how much the filter achieves.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Reflection filter for guitar amplifiers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnology:\u003c\/strong\u003e sE multi-layer construction, even across the frequency spectrum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlacement:\u003c\/strong\u003e In front of the cabinet, with the microphone inside the filter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePurpose:\u003c\/strong\u003e Reduces room reflections reaching the microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNot a substitute for:\u003c\/strong\u003e Soundproofing; the room still hears the amplifier\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDocumentation:\u003c\/strong\u003e Setup guide published by sE as a downloadable PDF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978217250954,"sku":"SKU_1739467839175_849","price":21990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/mplifier-reflection-filter-online-buy-india-01.webp?v=1739467869"},{"product_id":"se-electronics-rf-x-reflexion-filter","title":"sE Electronics RF-X Reflexion Filter","description":"\u003cp\u003eThe sE Electronics RF-X is a four layer portable acoustic filter that mounts behind a microphone to reduce the room reflections reaching it. It is the entry model in the Reflexion Filter range.\u003c\/p\u003e\n\u003ch2\u003eThe four layers, and what each does\u003c\/h2\u003e\n\u003cp\u003eWorking from the outside in: a vented composite outer panel, a wool fabric layer, an air gap, and an inner acoustic foam layer. The order is deliberate. The foam absorbs the first arrival from the microphone side, the air gap decouples the layers so energy is not simply transmitted through, and the outer panel stops what remains from continuing into the room and returning.\u003c\/p\u003e\n\u003cp\u003eThat layered construction is what separates a Reflexion Filter from a plain foam shield, which absorbs high frequencies and passes everything below them.\u003c\/p\u003e\n\u003ch2\u003eWhat it does and does not fix\u003c\/h2\u003e\n\u003cp\u003eA filter behind the microphone reduces the reflections arriving from behind and around it, which is what makes a small untreated room sound less like a small room on a close vocal. It reduces early reflections rather than sound entering the room from outside.\u003c\/p\u003e\n\u003cp\u003eIt does not soundproof. Traffic, a fan or a neighbour will still be recorded. For that, the room itself has to be addressed.\u003c\/p\u003e\n\u003ch2\u003eThe range above it\u003c\/h2\u003e\n\u003cp\u003eThe RF PRO is the original patented design with redesigned hardware that pans and tilts, supplied with a mounting bracket, screw wrench and stand thread adapter. The SPACE is larger again, with more layers and deeper air gaps, and is hand-built at the sE factory.\u003c\/p\u003e\n\u003cp\u003eThe RF-X ships with a mounting bracket and a mic stand thread adapter, and needs a sturdy stand: a filter of this size puts significant weight well above the stand base.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Portable acoustic reflection filter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayers:\u003c\/strong\u003e Four\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Vented composite outer panel, wool fabric, air gap, inner acoustic foam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e Bracket and mic stand thread adapter included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePosition in range:\u003c\/strong\u003e Entry model, below RF PRO and SPACE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRF-X\u003c\/li\u003e\n\u003cli\u003eMounting bracket\u003c\/li\u003e\n\u003cli\u003eMic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978218299530,"sku":"SKU_1739467909881_486","price":9990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/nics-rf-x-reflexion-filter-online-buy-india-01.webp?v=1739467935"},{"product_id":"se-electronics-rf-pro-reflexion-filter","title":"sE Electronics RF PRO Reflexion Filter","description":"\u003cp\u003eThe sE Electronics RF PRO is the original patented Reflexion Filter, using multi-layer technology that works evenly across the frequency spectrum, with hardware redesigned in 2016 to pan and tilt.\u003c\/p\u003e\n\u003ch2\u003eEven across the spectrum, which is the hard part\u003c\/h2\u003e\n\u003cp\u003eFoam absorbs high frequencies easily and low frequencies barely at all. A shield made only of foam therefore removes the top of the room reflection and leaves the boxy lower midrange that made the room a problem in the first place, and it colours the microphone's own sound in the process.\u003c\/p\u003e\n\u003cp\u003esE's patented multi-layer construction is designed to work evenly across the whole frequency spectrum, so what reaches the microphone is reduced in level rather than filtered in tone.\u003c\/p\u003e\n\u003ch2\u003eThe 2016 hardware\u003c\/h2\u003e\n\u003cp\u003eThe mounting hardware was completely redesigned in 2016 to increase stability and simplify setup, and allows panning and tilting so the filter can be positioned relative to the microphone rather than fixed square behind it. All moving parts are chromatized to reduce wear.\u003c\/p\u003e\n\u003cp\u003eStability matters more than it sounds: a filter this size mounted high on a stand puts real turning force on the joints, and a mount that creeps during a session moves the acoustic treatment away from where it was set.\u003c\/p\u003e\n\u003ch2\u003eWhere it sits in the range\u003c\/h2\u003e\n\u003cp\u003eThe RF-X below it uses a four layer construction at a lower price with simpler mounting. The SPACE above it is larger, hand-built at the sE factory, with deeper air gaps and more efficient materials, and ships with sealable sand bags for stand ballast.\u003c\/p\u003e\n\u003cp\u003eThe RF PRO is supplied with a mounting bracket, a screw wrench and a mic stand thread adapter.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Portable acoustic reflection filter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnology:\u003c\/strong\u003e Patented sE multi-layer construction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency behaviour:\u003c\/strong\u003e Designed to work evenly across the whole spectrum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e Pans and tilts, hardware redesigned 2016, chromatized moving parts\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePosition in range:\u003c\/strong\u003e Above the RF-X, below the SPACE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eIn the box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eReflexion Filter Pro\u003c\/li\u003e\n\u003cli\u003eMounting bracket\u003c\/li\u003e\n\u003cli\u003eScrew wrench\u003c\/li\u003e\n\u003cli\u003eMic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45978219020426,"sku":"SKU_1739467996789_565","price":22400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/cs-rf-pro-reflexion-filter-online-buy-india-02.webp?v=1739468000"},{"product_id":"se-electronics-space-reflection-filter","title":"sE Electronics SPACE Reflection Filter","description":"\u003cp\u003eThe sE Electronics SPACE is the largest Reflexion Filter, built with sE's patented multi-layer air-gap technology plus vertical bass pillars, hand-built at the sE factory and supplied with sealable sand bags for stand ballast.\u003c\/p\u003e\n\u003ch2\u003eBass pillars and deeper air gaps\u003c\/h2\u003e\n\u003cp\u003eThe SPACE adds vertical bass pillars to the multi-layer construction, which deepen the air gaps and randomise diffusion. Low frequency energy needs depth to be absorbed rather than reflected, which is why small foam shields do nothing below the lower midrange and why the SPACE is physically larger than the RF PRO and the RF-X.\u003c\/p\u003e\n\u003cp\u003esE describes the result as full bandwidth absorption, isolation and diffusion. Diffusion is the part that distinguishes it: rather than only absorbing, the surface scatters what it returns so no single reflection dominates.\u003c\/p\u003e\n\u003ch2\u003eBallast is included for a reason\u003c\/h2\u003e\n\u003cp\u003eThe package includes sealable sand bags, with the sand to be sourced locally. A filter of this size on a stand is top heavy, and a fallen microphone stand takes the microphone with it. Filling and fitting the bags before the first session is not optional.\u003c\/p\u003e\n\u003cp\u003eThe mounting hardware adjusts horizontally, vertically and at any angle, and locks in position, with a mic stand thread adapter supplied.\u003c\/p\u003e\n\u003ch2\u003eHand-built, and where it sits\u003c\/h2\u003e\n\u003cp\u003eThe SPACE is hand-built at the sE factory rather than mass produced. Below it, the RF PRO is the original patented design with pan and tilt hardware, and the RF-X is the four layer entry model.\u003c\/p\u003e\n\u003cp\u003eChoose the SPACE when the room is the limiting factor and a permanent vocal or voiceover position is being set up. 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