{"title":"RME","description":"\u003cp\u003eShop genuine RME products in India from Pro Audio Brands, an authorised dealer with pan-India shipping.\u003c\/p\u003e","products":[{"product_id":"rme-m-32-ad-pro-ii-d-dante-madi-32-channel-a-d-converter","title":"RME M-32 AD Pro II-D Dante + MADI 32-Channel A\/D Converter","description":"\u003cp\u003eThe RME M-32 AD Pro II-D is the Dante version of RME's 32 channel A\/D converter: 32 analog inputs on D-sub, up to 64 Dante channels over two fully redundant network ports, and MADI alongside.\u003c\/p\u003e\n\u003ch2\u003eConversion\u003c\/h2\u003e\n\u003cp\u003eThirty two analog inputs arrive on 25 pin D-sub connectors. Maximum level is switchable per channel at +24, +19 or +13 dBu at 0 dBFS. Signal to noise is 120.7 dBA at +24 dBu and THD+N is below -108 dB, or 0.00039 percent, at -1 dBFS. The conversion is identical to the AVB model; only the network changes.\u003c\/p\u003e\n\u003ch2\u003eDante with redundancy, MADI in parallel\u003c\/h2\u003e\n\u003cp\u003eTwo RJ45 ports carry up to 64 Dante channels with full redundancy, so a failed switch or a cut cable does not silence the inputs. Two MADI I\/O are fitted, coaxial BNC plus an optional optical SFP, for up to 128 channels. Word clock is on a single BNC I\/O.\u003c\/p\u003e\n\u003cp\u003eHaving MADI and Dante on the same converter is what lets a Dante facility feed a MADI recorder, or the reverse, without another box in the chain.\u003c\/p\u003e\n\u003ch2\u003eControl and power\u003c\/h2\u003e\n\u003cp\u003eA 2 inch display with a control knob covers local operation. Remote control runs over HTTP and JSON, with MIDI over MADI also available. Two monitored, fully redundant internal power supplies are fitted. The enclosure is a 19 inch unit of one height.\u003c\/p\u003e\n\u003ch2\u003eAD or DA, AVB or Dante\u003c\/h2\u003e\n\u003cp\u003eThe M-32 AD Pro II-D takes analog in. The M-32 DA Pro II-D sends analog out, at 119.8 dBA and THD+N below -111 dB. Drop the D suffix on either and the network becomes AVB instead of Dante. Nothing else differs between them.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog inputs:\u003c\/strong\u003e 32, on 25 pin D-sub\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e +24, +19 or +13 dBu at 0 dBFS, switchable per channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR:\u003c\/strong\u003e 120.7 dBA at +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e Below -108 dB, 0.00039 percent at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante:\u003c\/strong\u003e 2 x RJ45, up to 64 channels, full redundancy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e 2 x I\/O, coaxial BNC plus optional optical SFP, up to 128 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 1 x BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 2 inch with control knob\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e HTTP and JSON, MIDI over MADI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 2 x monitored fully redundant internal supplies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 19 inch, 1 height unit\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46153707061386,"sku":"SKU_1743244429741_98","price":382590.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/69ee5cf2-93bf-4c2a-b1e3-e1127e25ce8f_3dd988bc-7758-4084-a640-989ae997970a.webp?v=1743244431"},{"product_id":"rme-m-32-da-pro-ii-d-dante-madi-32-channel-d-a-converter","title":"RME M-32 DA Pro II-D Dante + MADI 32-Channel D\/A Converter","description":"\u003cp\u003eThe RME M-32 DA Pro II-D turns up to 64 Dante channels back into 32 analog outputs on D-sub, with MADI available at the same time and two redundant network ports.\u003c\/p\u003e\n\u003ch2\u003eOutput stage\u003c\/h2\u003e\n\u003cp\u003eThirty two analog outputs on 25 pin D-sub connectors, each with maximum level switchable at +24, +19 or +13 dBu at 0 dBFS. Signal to noise is 119.8 dBA at +24 dBu, with THD+N below -111 dB, or 0.00028 percent, at -1 dBFS. Those are the same converters as the AVB version of this model.\u003c\/p\u003e\n\u003ch2\u003eDante and MADI\u003c\/h2\u003e\n\u003cp\u003eTwo RJ45 ports carry up to 64 Dante channels with full redundancy. Two MADI I\/O are fitted, coaxial BNC with an optional optical SFP module, up to 128 channels. Word clock sits on a BNC I\/O.\u003c\/p\u003e\n\u003cp\u003eIn a monitoring or playback position that combination means one converter can be fed from the Dante network normally and from MADI when the network is down.\u003c\/p\u003e\n\u003ch2\u003eFront panel and supply\u003c\/h2\u003e\n\u003cp\u003eA 2 inch display with control knob handles setup on the unit. Remote control is over HTTP and JSON, with MIDI over MADI supported. Two monitored, fully redundant internal power supplies are fitted, in a 19 inch enclosure of one height unit.\u003c\/p\u003e\n\u003ch2\u003eOrdering the right one\u003c\/h2\u003e\n\u003cp\u003ePair this with the M-32 AD Pro II-D for 32 channels in each direction on a Dante network. For an AVB network, the M-32 DA Pro II does the same job with two 1 GigE AVB ports carrying four streams of up to 16 channels.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog outputs:\u003c\/strong\u003e 32, on 25 pin D-sub\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e +24, +19 or +13 dBu at 0 dBFS, switchable per channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR:\u003c\/strong\u003e 119.8 dBA at +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e Below -111 dB, 0.00028 percent at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante:\u003c\/strong\u003e 2 x RJ45, up to 64 channels, full redundancy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e 2 x I\/O, coaxial BNC plus optional optical SFP, up to 128 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 1 x BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 2 inch with control knob\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e HTTP and JSON, MIDI over MADI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 2 x monitored fully redundant internal supplies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 19 inch, 1 height unit\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46153708208266,"sku":"SKU_1743244508089_995","price":382590.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/81300426-8fc9-4801-8584-ccabc03ccc72.webp?v=1743244509"},{"product_id":"rme-m-32-da-pro-ii-avb-madi-32-channel-d-a-converter","title":"RME M-32 DA Pro II AVB + MADI 32-Channel D\/A Converter","description":"\u003cp\u003eThe RME M-32 DA Pro II takes 32 channels off MADI or AVB and turns them back into analog on D-sub connectors, at 119.8 dBA and THD+N below -111 dB. It is the output half of a 32 channel network node.\u003c\/p\u003e\n\u003ch2\u003eThirty two outputs, switchable per channel\u003c\/h2\u003e\n\u003cp\u003eThe 32 analog outputs sit on 25 pin D-sub connectors. Each channel's maximum level is set independently at +24, +19 or +13 dBu at 0 dBFS, which matters when the same converter drives amplifiers at one level and a monitor path at another.\u003c\/p\u003e\n\u003cp\u003eThe DA stage measures 119.8 dBA signal to noise at 24 dBu, and its THD+N figure of below -111 dB is the tighter of the two directions in the M-32 Pro II range. Sample rates reach 192 kHz.\u003c\/p\u003e\n\u003ch2\u003eNetwork and MADI\u003c\/h2\u003e\n\u003cp\u003eTwo 1 GigE AVB ports carry four streams of 4, 8, 12 or 16 channels each. MADI is on coaxial, with optical available through the optional SFP module, up to 128 channels. Word clock is on BNC. There is no ADAT on this model.\u003c\/p\u003e\n\u003ch2\u003eInstallation features\u003c\/h2\u003e\n\u003cp\u003eTwo monitored, fully redundant internal power supplies keep the outputs alive through a supply failure. A 2 inch display with a control knob handles the front panel, and remote control runs over HTTP with a JSON API. The enclosure is 19 inch, one height unit.\u003c\/p\u003e\n\u003ch2\u003ePairing it\u003c\/h2\u003e\n\u003cp\u003eThe M-32 DA Pro II is normally bought alongside the M-32 AD Pro II, giving 32 channels in each direction over the same network. If the plant runs Dante rather than AVB, order the M-32 DA Pro II-D instead, which carries up to 64 Dante channels on two redundant ports.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog outputs:\u003c\/strong\u003e 32, on 25 pin D-sub\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e +24, +19 or +13 dBu at 0 dBFS, switchable per channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR:\u003c\/strong\u003e 119.8 dBA at 24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e Below -111 dB at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e Up to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAVB:\u003c\/strong\u003e 2 x 1 GigE ports, four streams of 4, 8, 12 or 16 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e Coaxial and optional optical SFP, up to 128 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 1 x BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT:\u003c\/strong\u003e Not fitted\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 2 inch with control knob\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e HTTP and JSON API\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 2 x monitored fully redundant internal supplies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 19 inch, 1 height unit\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46153709748362,"sku":"SKU_1743244617790_99","price":331280.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/77ffa991-291e-4391-91ca-4408ec1c3e6b.webp?v=1743244619"},{"product_id":"rme-m-32-ad-pro-ii-avb-madi-32-channel-a-d-converter","title":"RME M-32 AD Pro II AVB + MADI 32-Channel A\/D Converter","description":"\u003cp\u003eThe RME M-32 AD Pro II converts 32 analog inputs to MADI and AVB in one rack unit, with redundant power and a 120.7 dBA signal to noise figure. It is the input half of a 32 channel network node.\u003c\/p\u003e\n\u003ch2\u003eThirty two inputs on D-sub\u003c\/h2\u003e\n\u003cp\u003eThe 32 analog inputs arrive on 25 pin D-sub connectors, eight channels per connector, which is how a 32 channel converter fits in one rack unit. Maximum level is switchable per channel at +24, +19 or +13 dBu at 0 dBFS, so a hot broadcast feed and a nominal studio feed can share the same box.\u003c\/p\u003e\n\u003cp\u003eSignal to noise is 120.7 dBA at +24 dBu, with THD+N below -108 dB at -1 dBFS. Sample rates reach 192 kHz.\u003c\/p\u003e\n\u003ch2\u003eAVB and MADI on the same unit\u003c\/h2\u003e\n\u003cp\u003eTwo 1 GigE AVB ports carry four streams supporting 4, 8, 12 or 16 channels each. MADI is available on coaxial and, with the optional SFP module, on optical, up to 128 channels in total. Word clock is on BNC.\u003c\/p\u003e\n\u003cp\u003eBoth transports run at once, so the converter can feed a MADI console and an AVB network from the same 32 inputs without a second box.\u003c\/p\u003e\n\u003ch2\u003eRedundancy and control\u003c\/h2\u003e\n\u003cp\u003eTwo monitored, fully redundant internal power supplies are fitted, which is the reason this converter appears in installations rather than only in studios. A 2 inch display with a control knob covers the front panel, and remote control runs over HTTP with a JSON API.\u003c\/p\u003e\n\u003ch2\u003eWhich M-32 to order\u003c\/h2\u003e\n\u003cp\u003eFour variants exist and they differ in two ways only. AD converts analog to digital, DA converts digital to analog. The plain Pro II speaks AVB on its network ports; the Pro II-D speaks Dante with up to 64 channels over two fully redundant ports. Match the direction to the signal flow and the suffix to the network already installed.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog inputs:\u003c\/strong\u003e 32, on 25 pin D-sub\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum level:\u003c\/strong\u003e +24, +19 or +13 dBu at 0 dBFS, switchable per channel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR:\u003c\/strong\u003e 120.7 dBA at +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e Below -108 dB at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e Up to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAVB:\u003c\/strong\u003e 2 x 1 GigE ports, four streams of 4, 8, 12 or 16 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e Coaxial and optional optical SFP, up to 128 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 1 x BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 2 inch with control knob\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e HTTP and JSON API\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 2 x monitored fully redundant internal supplies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e 19 inch, 1 height unit\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46153778364554,"sku":"SKU_1743247440448_260","price":331280.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/828e8dff-c35c-46a0-99c2-50e9fbc41db2.webp?v=1743247442"},{"product_id":"rme-m-32-da-pro-audio-converter-india","title":"RME M-32 DA PRO Audio Converter","description":"\u003ch2\u003e\u003cstrong\u003eRME M-32 DA Pro: Unleash the Power of Pristine Digital-to-Analog Conversion\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eExperience the Thrill of Reference-Grade Audio Reproduction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RME M-32 DA Pro audio converter is the missing link for studios, live sound engineers, and anyone demanding the purest digital-to-analog conversion. This high-performance 32-channel converter meticulously translates your digital audio into the analog realm, breathing life and detail into your mixes, broadcasts, and live performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUncompromising Fidelity: Hear the Difference\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the heart of the M-32 DA Pro lies cutting-edge conversion technology, meticulously engineered to deliver unmatched sonic accuracy. Each of the 32 channels boasts an exceptional 192 kHz sampling rate and superior signal-to-noise ratio, ensuring the most transparent translation of your digital audio into the analog domain. Whether you're powering high-end studio monitors, driving professional PA systems, or feeding external analog gear, the M-32 DA Pro guarantees a pristine foundation for your critical listening experiences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimitless Connectivity: Integrate with Any System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe M-32 DA Pro empowers you with a versatile range of connectivity options. Balanced analog outputs on each channel ensure seamless integration with your studio monitors, PA systems, and other analog equipment. Additionally, MADI and ADAT digital inputs allow you to flawlessly connect with digital audio workstations and other professional digital audio sources. This flexibility allows the M-32 DA Pro to adapt to any workflow, ensuring smooth signal routing and seamless integration into your existing setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommand Your Sound: Advanced Features for the Discerning User\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe M-32 DA Pro goes beyond simple conversion, offering a suite of advanced features to optimize your audio experience. Individual channel level adjustments provide meticulous control over your output signals, while built-in reference level calibration tools ensure consistent performance across projects. Additionally, the M-32 DA Pro boasts RME's renowned SteadyClock FS jitter reduction technology, guaranteeing jitter-free digital audio for pristine sonic clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvantages:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eUnmatched audio fidelity:\u003c\/strong\u003e Experience exceptional 192 kHz sampling rate and superior signal-to-noise ratio for transparent conversion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32-channel conversion:\u003c\/strong\u003e Effortlessly manage large-scale projects with a multitude of analog and digital inputs\/outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVersatile connectivity:\u003c\/strong\u003e Integrate seamlessly with any workflow thanks to balanced analog outputs, MADI, and ADAT digital inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced features:\u003c\/strong\u003e Optimize your audio with individual channel level adjustments, reference level calibration, and SteadyClock FS jitter reduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged construction:\u003c\/strong\u003e Built to withstand the demands of professional use with a reliable and durable design.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161932451978,"sku":"SKU_1743510144331_257","price":382698.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/7c3caeac-ca8f-4d6f-a522-b0f60f3632ba.webp?v=1743510145"},{"product_id":"rme-m-1610-pro-16-channel-ad-da-converter","title":"RME M-1610 Pro 16-Channel AD\/DA Converter","description":"\u003cp\u003eThe RME M-1610 Pro is a 1U converter with 16 analog inputs and 8 analog outputs, feeding MADI, AVB and ADAT at the same time, with dual redundant power supplies. It is the box that gets sixteen analog sources onto a network and keeps them there.\u003c\/p\u003e\n\u003ch2\u003eConverter performance\u003c\/h2\u003e\n\u003cp\u003eThe 16 inputs measure 117.0 dB RMS unweighted and 120.7 dBA signal to noise at +24 dBu, with THD+N below -108 dB, or 0.00039 percent, at -1 dBFS. The 8 outputs measure 116 dB RMS unweighted and 119 dBA, with THD+N below -107 dB, 0.00043 percent.\u003c\/p\u003e\n\u003cp\u003eMaximum level is switchable per channel at +24, +19 or +13 dBu, on inputs and outputs independently, so the converter matches a broadcast chain and a studio chain without a patch change. The headphone output reaches +13 dBu unbalanced and +19 dBu balanced. Sample rates run 44.1 kHz to 192 kHz, clocked by SteadyClock FS.\u003c\/p\u003e\n\u003ch2\u003eThree digital outputs at once\u003c\/h2\u003e\n\u003cp\u003eMADI is on coaxial with an optional optical SFP, carrying 64 channels at 48 kHz, 32 at 96 kHz and 16 at 192 kHz. AVB uses two gigabit Ethernet ports with eight streams and up to 128 channels. Four optical ADAT outputs are available, including quad speed S\/MUX4. Word clock is on BNC.\u003c\/p\u003e\n\u003cp\u003eRunning MADI and AVB together is what makes the M-1610 Pro useful as a bridge as well as a converter: analog in, and out to both a MADI console and an AVB network.\u003c\/p\u003e\n\u003ch2\u003eBuilt to stay up\u003c\/h2\u003e\n\u003cp\u003eTwo 30 W 100 to 240 V AC supplies are fitted, monitored and fully redundant, drawing about 20 W in use and 0.5 W in standby. A 2 inch colour display with a control knob covers local setup, and a web interface handles remote control. The unit is a 19 inch enclosure, one height unit, 440 x 44 x 243 mm, 2.8 kg.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog inputs:\u003c\/strong\u003e 16, 24 bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog outputs:\u003c\/strong\u003e 8, 24 bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput SNR:\u003c\/strong\u003e 117.0 dB RMS unweighted, 120.7 dBA at +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput THD+N:\u003c\/strong\u003e Below -108 dB, 0.00039 percent at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput SNR:\u003c\/strong\u003e 116 dB RMS unweighted, 119 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput THD+N:\u003c\/strong\u003e Below -107 dB, 0.00043 percent at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel switching:\u003c\/strong\u003e +24, +19 or +13 dBu per channel, inputs and outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphones:\u003c\/strong\u003e 1 stereo output, +13 dBu unbalanced, +19 dBu balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e Coaxial plus optional optical SFP; 64 ch at 48 kHz, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAVB:\u003c\/strong\u003e 2 x Gigabit Ethernet, 8 streams, up to 128 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT:\u003c\/strong\u003e 4 optical outputs, S\/MUX4 quad speed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 kHz to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock:\u003c\/strong\u003e SteadyClock FS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 2 inch colour with control knob\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e Web interface\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e Dual 30 W 100 to 240 V AC, about 20 W typical, 0.5 W standby\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 440 x 44 x 243 mm, 19 inch, 1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161939562634,"sku":"SKU_1743510360079_585","price":282409.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/cd3aec0a-ed82-4630-bb07-0b651dc81912.webp?v=1743510527"},{"product_id":"rme-fireface-ufx-iii-188-channel-audio-interface","title":"RME Fireface UFX III 188-Channel Audio Interface","description":"\u003cp\u003eThe RME Fireface UFX III is a 188-channel USB 3.0 audio interface in a single rack unit, with four mic preamps on the front, eight balanced line outputs on the back, and 64 channels of MADI on top. It is the interface you buy when the channel count has to grow past what the analog panel shows.\u003c\/p\u003e\n\u003ch2\u003eWhat 188 channels actually means\u003c\/h2\u003e\n\u003cp\u003eThe analog side is 12 in and out: four XLR\/TRS combo inputs on the front for microphones, instruments or line sources, eight line inputs on the rear, eight balanced line outputs, two stereo XLR monitor outputs and two independent headphone outputs on 6.3 mm jacks. Everything above that number arrives digitally.\u003c\/p\u003e\n\u003cp\u003eMADI carries 64 channels over the optical SC port. The BNC word clock connector can be switched to coaxial MADI, and a split mode runs both MADI ports at once, 32 channels optical and 32 coaxial. Add 2 x ADAT, 1 x AES\/EBU and 2 x SPDIF and the interface reaches its full count. Over USB 3.0 the computer sees up to 94 channels of input and output at once.\u003c\/p\u003e\n\u003ch2\u003ePreamps and converters\u003c\/h2\u003e\n\u003cp\u003eInputs 9 to 12 are the microphone preamps, with 75 dB of gain and equivalent input noise of -129.8 dBu at 60 dB gain. Maximum input level at 0 dB gain is +18 dBu. The same inputs switch to instrument mode with 42 dB of gain and accept up to +21 dBu at 8 dB gain, so a bass with an active preamp does not clip the front end.\u003c\/p\u003e\n\u003cp\u003eThe rear line inputs run 116 dB signal to noise measured to AES17, 118 dBA, with THD+N below -110 dB, or 0.00032 percent, at -1 dBFS. Line outputs 3 to 8 measure 116.5 dB AES17, 118.5 dBA at the same distortion figure. Input and output levels are switchable between Hi Gain, +4 dBu and -10 dBV to match whatever the outboard expects.\u003c\/p\u003e\n\u003cp\u003eSample rates run from 28 kHz to 200 kHz. Clocking is SteadyClock FS.\u003c\/p\u003e\n\u003ch2\u003eRecording without a computer\u003c\/h2\u003e\n\u003cp\u003eDURec records up to 80 channels straight to a USB drive of up to 2 TB, taken from any mix of inputs and outputs, and plays them back the same way. For a live capture or a rehearsal room the interface is the recorder, and the laptop is optional. Class Compliant mode covers connection to an iPad.\u003c\/p\u003e\n\u003ch2\u003eTotalMix FX\u003c\/h2\u003e\n\u003cp\u003eEvery input, playback stream and output is routed in TotalMix FX, RME's DSP mixer, with EQ, dynamics, reverb and delay running on the interface rather than on the host CPU. DIGICheck handles metering and analysis, and TotalMix Remote controls the mixer from another machine on the network. The outputs are DC coupled, so the interface can send CV and gate to modular gear.\u003c\/p\u003e\n\u003ch2\u003eUFX III or UFX II\u003c\/h2\u003e\n\u003cp\u003eThe UFX II is 60 channels over USB 2.0 with the same four 75 dB preamps and the same DURec recording. The UFX III adds USB 3.0, MADI in both optical and coaxial form, and the jump from 60 to 188 channels. If the studio has a MADI stagebox, converter or a second interface to connect, the UFX III is the one that reaches them. If the channel count stops at 30 in and 30 out, the UFX II does the same job for less.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 188 total, 24 bit \/ 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB:\u003c\/strong\u003e RME USB 3.0, up to 94 channels I\/O, Class Compliant mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog I\/O:\u003c\/strong\u003e 12 in and out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic preamps:\u003c\/strong\u003e 4 (inputs 9 to 12), 75 dB gain, +18 dBu max at 0 dB gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN at 60 dB gain:\u003c\/strong\u003e -129.8 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInstrument inputs:\u003c\/strong\u003e 42 dB gain, +21 dBu max at 8 dB gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input SNR:\u003c\/strong\u003e 116 dB (AES17), 118 dBA at Lo Gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine input THD+N:\u003c\/strong\u003e Below -110 dB, 0.00032 percent at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine output SNR:\u003c\/strong\u003e 116.5 dB (AES17), 118.5 dBA at Hi Gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e 1 x optical SC (64 ch), 1 x coaxial via BNC, split mode 32 plus 32\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther digital:\u003c\/strong\u003e 2 x ADAT I\/O, 1 x AES\/EBU I\/O, 2 x SPDIF I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 1 x BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e 2 x MIDI I\/O on 5 pin DIN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 28 kHz to 200 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock:\u003c\/strong\u003e SteadyClock FS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording:\u003c\/strong\u003e DURec direct to USB drive, up to 80 channels, drives to 2 TB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware:\u003c\/strong\u003e TotalMix FX, DIGICheck, TotalMix Remote\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e DC coupled for CV and gate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 483 x 44 x 210 mm with rack ears, 1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 3 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 22 to 25 W typical\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161945428106,"sku":"SKU_1743510560910_659","price":306363.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/3b3bfad5-d4e2-43cf-ae56-bfd0ec1812ea.webp?v=1743510563"},{"product_id":"rme-fireface-ufx-ii-the-usb-flagship-audio-interface","title":"RME Fireface UFX II – The USB Flagship Audio Interface","description":"\u003cp\u003eThe RME Fireface UFX II is a 60-channel USB 2.0 interface in one rack unit, 30 inputs and 30 outputs, with four 75 dB microphone preamps and standalone recording to a USB drive. It is the desk interface for a studio that tracks bands rather than one voice at a time.\u003c\/p\u003e\n\u003ch2\u003eTwelve analog channels, thirty on the bus\u003c\/h2\u003e\n\u003cp\u003eTwelve analog inputs and outputs sit on the panel, four of them XLR\/TRS combo sockets that take a microphone, an instrument or a line source. Two headphone outputs run independent mixes. Digital expansion comes from 2 x ADAT I\/O, which is 16 more channels at 48 kHz and 8 at 96 kHz with S\/MUX, plus 1 x AES\/EBU I\/O and an optical SPDIF on the second ADAT port. Word clock and two MIDI I\/O ports complete the rear panel.\u003c\/p\u003e\n\u003ch2\u003eConverter and preamp figures\u003c\/h2\u003e\n\u003cp\u003eInputs 9 to 12 are the preamps: 75 dB of gain, +18 dBu maximum at 0 dB gain, and -129.8 dBu equivalent input noise at 60 dB gain into 150 ohms, A weighted. The AD stage measures 116 dB signal to noise to AES17 and 118 dBA at Lo Gain, with THD+N below -110 dB at -1 dBFS. The DA stage gives 115 dB RMS unweighted, 118 dBA, THD+N below -104 dB.\u003c\/p\u003e\n\u003cp\u003eSample rates run from 28 kHz to 200 kHz.\u003c\/p\u003e\n\u003ch2\u003eDURec and standalone use\u003c\/h2\u003e\n\u003cp\u003eDURec records inputs and outputs directly to a USB drive with no computer attached, which is what makes the UFX II usable as a location recorder or a rehearsal room capture box. The unit also works with the ARC USB remote for hands-on level and monitoring control, and runs in Class Compliant mode for iPad connection. Outputs are DC coupled for CV and gate use.\u003c\/p\u003e\n\u003ch2\u003eMixing and monitoring\u003c\/h2\u003e\n\u003cp\u003eTotalMix FX handles routing and monitor mixes on the interface itself, with EQ, dynamics, reverb and delay, so a headphone mix does not cost the host CPU anything and survives a DAW stall.\u003c\/p\u003e\n\u003ch2\u003eWhere it sits against the UFX III\u003c\/h2\u003e\n\u003cp\u003eSame preamps, same DURec, same TotalMix FX. The UFX II stops at 60 channels over USB 2.0 and has no MADI. The UFX III moves to USB 3.0 and adds 64 MADI channels for a total of 188. Choose by whether anything in the room speaks MADI.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 60 total, 30 in and 30 out, 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB:\u003c\/strong\u003e RME USB 2.0, Class Compliant mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog I\/O:\u003c\/strong\u003e 12 in and out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic preamps:\u003c\/strong\u003e 4 (inputs 9 to 12), 75 dB gain, +18 dBu max at 0 dB gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEIN at 60 dB gain:\u003c\/strong\u003e -129.8 dBu, 150 ohms, A weighted\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAD SNR:\u003c\/strong\u003e 116 dB (AES17), 118 dBA at Lo Gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAD THD+N:\u003c\/strong\u003e Below -110 dB at -1 dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDA dynamic range:\u003c\/strong\u003e 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDA THD+N:\u003c\/strong\u003e Below -104 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital I\/O:\u003c\/strong\u003e 2 x ADAT I\/O with S\/MUX, 1 x AES\/EBU I\/O, SPDIF optical on ADAT 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 1 x BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI:\u003c\/strong\u003e 2 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphones:\u003c\/strong\u003e 2 outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 28 kHz to 200 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording:\u003c\/strong\u003e DURec direct to USB drive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e ARC USB supported\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware:\u003c\/strong\u003e TotalMix FX\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e DC coupled\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 483 x 44 x 210 mm with rack ears, 1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 3 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 36 W internal supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161947033738,"sku":"SKU_1743510627103_620","price":279259.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/e9c9b070-bd81-4c9e-9504-d239cd3cb71f.webp?v=1743510677"},{"product_id":"rme-fireface-802-usb-firewire-audio-interface","title":"RME Fireface 802 USB \/ FireWire Audio Interface","description":"\u003ch2\u003eUnleash Your Audio Potential: RME Fireface 802 - Hybrid USB\/FireWire Audio Interface\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eEmbrace studio-grade sound and unmatched flexibility with the RME Fireface 802!\u003c\/strong\u003e This versatile audio interface boasts dual connectivity options (USB and FireWire) and an impressive array of features, empowering musicians, producers, and audio engineers to capture, mix, and monitor sound with unparalleled clarity and control. Whether you're recording your latest masterpiece in the studio, managing a demanding live performance, or producing high-quality content for your audience, the Fireface 802 equips you with the tools to bring your sonic vision to life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUncompromising Audio Quality for Discerning Ears\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRME is renowned for its commitment to exceptional audio fidelity, and the Fireface 802 is no exception. It features high-end converters that deliver pristine 24-bit\/192kHz audio throughout the entire signal path. Experience breathtaking transparency and capture every nuance of your sound – from the delicate details of acoustic performances to the rich harmonics of electric instruments. This level of sonic accuracy ensures your recordings and productions translate faithfully to any listening environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Connectivity for Diverse Workflows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802's true strength lies in its dual connectivity options. Whether you prefer the convenience of USB or the established reliability of FireWire, this interface seamlessly integrates into your existing setup. With a comprehensive set of I\/O options, including four high-performance microphone preamps, 12 balanced analog line I\/Os, and dual optical ADAT I\/O, you can effortlessly connect a wide range of microphones, instruments, outboard gear, and digital devices. This flexibility allows you to tackle any recording or mixing project with confidence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra-Low Latency Performance for Seamless Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 prioritizes real-time performance with its ultra-low latency drivers. This ensures minimal delay between your playing and what you hear through your headphones or monitors, creating a natural and responsive recording experience. Whether you're tracking vocals, laying down intricate drum loops, or working with virtual instruments, the Fireface 802 keeps you in perfect sync with your inspiration, allowing you to focus on capturing your creative ideas without technical limitations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX: A Complete Studio Command Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 goes beyond a simple audio interface. It integrates RME's acclaimed TotalMix FX digital mixer, providing a powerful suite of mixing, routing, and monitoring tools. Create independent headphone mixes for your musicians, apply EQ and effects processing on individual channels, and route audio signals with ease – all within a user-friendly software interface. This level of control empowers you to craft perfect recordings, manage complex live sound mixes, and monitor audio with ultimate precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvantages:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePristine 24-bit\/192kHz audio quality for professional sound\u003c\/li\u003e\n\u003cli\u003eDual connectivity options (USB\/FireWire) for flexible integration\u003c\/li\u003e\n\u003cli\u003eExtensive I\/O options for diverse studio setups\u003c\/li\u003e\n\u003cli\u003eUltra-low latency performance for seamless recording\u003c\/li\u003e\n\u003cli\u003ePowerful TotalMix FX digital mixer for comprehensive control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161949393034,"sku":"SKU_1743510707769_347","price":220153.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/a73a793d-ab4c-41b6-b51a-6f5ce56af18d.webp?v=1743510739"},{"product_id":"rme-fireface-802-fs-60-channel-usb-b-audio-midi-interface","title":"RME Fireface 802 FS 60-Channel USB-B Audio\/MIDI Interface","description":"\u003ch2\u003eUnleash Studio Power: RME Fireface 802 FS - 60-Channel Audio\/MIDI Interface\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionize your recording setup with the RME Fireface 802 FS!\u003c\/strong\u003e This versatile and powerful USB audio interface boasts a staggering 60 channels of audio I\/O, pristine sound quality, and an array of professional features. Whether you're a seasoned audio engineer, a musician with a passion for recording, or a content creator seeking studio-grade audio, the Fireface 802 FS empowers you to capture, mix, and monitor sound with unparalleled clarity and control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnmatched Connectivity for Complex Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS boasts a comprehensive set of connectivity options, making it ideal for even the most demanding studio setups. With four high-performance microphone preamps, eight balanced analog line inputs and outputs, and dual optical ADAT I\/O, you can effortlessly connect a wide range of instruments, microphones, and outboard gear. This level of flexibility allows you to record complex musical arrangements, manage large live sound events, or create immersive audio experiences for film and video productions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePristine Audio Fidelity for Discerning Ears\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRME is renowned for its dedication to exceptional audio quality, and the Fireface 802 FS is no exception. It features high-end converters that deliver pristine 24-bit\/192kHz audio throughout the entire signal path. Experience breathtaking transparency and capture every nuance of your recordings, from the delicate details of acoustic performances to the rich harmonics of electric instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra-Low Latency Performance for Seamless Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS prioritizes real-time performance with its ultra-low latency drivers. This ensures minimal delay between your playing and what you hear through your headphones or monitors, creating a natural and responsive recording experience. Whether you're tracking vocals, laying down intricate drum loops, or working with virtual instruments, the Fireface 802 FS keeps you in perfect sync with your inspiration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX: A Complete Studio Command Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 FS goes beyond a simple audio interface. It integrates RME's acclaimed TotalMix FX digital mixer, providing a powerful suite of mixing, routing, and monitoring tools. Create independent headphone mixes for your musicians, apply EQ and effects processing on individual channels, and route audio signals with ease – all within a user-friendly software interface. This level of control empowers you to craft perfect recordings and monitor mixes with ultimate precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvantages:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtensive 60-channel audio I\/O for complex studio setups\u003c\/li\u003e\n\u003cli\u003ePristine 24-bit\/192kHz audio quality for professional sound\u003c\/li\u003e\n\u003cli\u003eUltra-low latency performance for seamless recording\u003c\/li\u003e\n\u003cli\u003ePowerful TotalMix FX digital mixer for comprehensive control\u003c\/li\u003e\n\u003cli\u003eVersatile connectivity options for diverse equipment\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161951228042,"sku":"SKU_1743510775934_308","price":220153.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/ebfc2630-0990-4f6f-bebd-7a57bc8ca910.webp?v=1743510779"},{"product_id":"rme-digiface-usb-66-channel-adat-to-usb-optical-audio-interface","title":"RME Digiface USB 66-Channel ADAT to USB Optical Audio Interface","description":"\u003ch2\u003eUnleash Your Studio Potential: RME Digiface USB - 66-Channel ADAT Interface\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTransform your computer into a professional recording studio with the RME Digiface USB!\u003c\/strong\u003e This compact and powerful audio interface boasts an impressive 66-channel ADAT connection, allowing you to effortlessly convert digital audio signals for seamless recording, mixing, and monitoring. Whether you're a musician, producer, or audio engineer, the Digiface USB empowers you to capture pristine audio quality with unmatched flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnparalleled Connectivity for Multi-Channel Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe heart of the Digiface USB lies in its versatile connectivity options. With four optical ADAT I\/O ports, you can connect a wide range of digital audio devices, including preamps, mixers, and effects processors, to your computer. This enables you to create a powerful multi-channel recording setup, perfect for capturing complex musical arrangements, live performances, or intricate sound design projects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePristine Audio Quality for Discerning Ears\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRME is renowned for its commitment to exceptional audio fidelity, and the Digiface USB is no exception. It boasts high-performance converters that deliver pristine 24-bit\/192kHz audio quality, ensuring every nuance of your recordings is captured in stunning detail. Experience transparent audio reproduction for a truly professional sonic experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Mixing and Monitoring with TotalMix FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Digiface USB goes beyond a simple audio interface. It features RME's acclaimed TotalMix FX digital mixer, providing a comprehensive suite of mixing, routing, and monitoring tools. Create independent monitor mixes, apply EQ and effects processing, and route audio signals with ease – all within a user-friendly software interface. This level of control empowers you to craft perfect recordings and monitor mixes with ultimate precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Design and Bus-Powered Operation for Unmatched Portability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDespite its impressive capabilities, the Digiface USB boasts a surprisingly compact and lightweight design. This makes it an ideal solution for musicians and audio professionals on the go. Additionally, the bus-powered operation eliminates the need for a bulky external power supply, allowing you to record and create professional-quality audio anywhere your music takes you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvantages:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImpressive 66-channel ADAT connectivity for flexible studio setups\u003c\/li\u003e\n\u003cli\u003ePristine 24-bit\/192kHz audio quality for professional sound\u003c\/li\u003e\n\u003cli\u003ePowerful TotalMix FX digital mixer for intuitive mixing and monitoring\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight design for unmatched portability\u003c\/li\u003e\n\u003cli\u003eBus-powered operation for convenient use on the go\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161952735370,"sku":"SKU_1743510841501_9","price":56357.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/41999a42-52c8-4ff0-95b1-d3bfcbb8f7fa.webp?v=1743510867"},{"product_id":"rme-digiface-dante-256-channel-dante-to-madi-audio-interface","title":"RME Digiface Dante 256-Channel Dante to MADI Audio Interface","description":"\u003cp\u003eThe RME Digiface Dante is a 256-channel USB 3.0 interface that bridges Dante and MADI, and keeps working as a 64-channel converter between the two when no computer is attached.\u003c\/p\u003e\n\u003ch2\u003eTwo networks, one box\u003c\/h2\u003e\n\u003cp\u003eFour gigabit Ethernet ports carry Dante, with the largest Dante module fitted so 64 channels can be sent and received over the network, and network redundancy supported. MADI is on coaxial, carrying 64 channels in standard mode, 32 at 96 kHz and 16 at 192 kHz. The word clock BNC can be switched to MADI. Sample rates run 44.1 kHz to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eThe MADI input stage is high sensitivity, accepting below 0.2 Vpp, and the MADI output is 400 mVpp. Word clock output reaches 5 Vss.\u003c\/p\u003e\n\u003ch2\u003eStandalone conversion\u003c\/h2\u003e\n\u003cp\u003eUnplug the computer and the Digiface Dante is still a 64-channel Dante to MADI converter. That matters for an installation where the bridge has to survive a laptop being closed, and it means the same unit can be a studio interface on Monday and a machine room converter on Tuesday. The four Ethernet ports also work as a network switch.\u003c\/p\u003e\n\u003ch2\u003eSoftware and monitoring\u003c\/h2\u003e\n\u003cp\u003eTotalMix FX handles routing and monitor mixes, with DigiCheck for metering, TotalMix Remote for control from another machine, and ARC USB support for hardware control. One headphone output is fitted, DC coupled. Class Compliant mode is available for connection to a tablet.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 256, 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante:\u003c\/strong\u003e Up to 64 channels sent and received, redundancy supported\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNetwork ports:\u003c\/strong\u003e 4 x Gigabit Ethernet, 802.3 compliant, switch capable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e 1 x coaxial I\/O; 64 ch standard, 32 at 96 kHz, 16 at 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e BNC I\/O, switchable to MADI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI input sensitivity:\u003c\/strong\u003e Below 0.2 Vpp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI output level:\u003c\/strong\u003e 400 mVpp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock output:\u003c\/strong\u003e 5 Vss maximum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer connection:\u003c\/strong\u003e USB 3.0, Class Compliant mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 kHz to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandalone:\u003c\/strong\u003e 64 channel Dante to MADI converter with no computer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphones:\u003c\/strong\u003e 1 output, DC coupled\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware:\u003c\/strong\u003e TotalMix FX, DigiCheck, TotalMix Remote, ARC USB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161955389578,"sku":"SKU_1743510920854_396","price":153294.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/61741cf2-fcdb-42ad-86fa-3ab57723ad74.webp?v=1743510957"},{"product_id":"rme-digiface-avb-256-channel-mobile-avb-usb-audio-interface","title":"RME Digiface AVB 256-Channel Mobile AVB\/USB Audio Interface","description":"\u003cp\u003eThe RME Digiface AVB is a 256-channel bridge between an AVB network and a computer, bus powered over USB 3.0, in a box of 300 g. It has no analog inputs and one headphone output, because its job is to carry channels, not to convert them.\u003c\/p\u003e\n\u003ch2\u003eChannel counts by sample rate\u003c\/h2\u003e\n\u003cp\u003eUp to 256 channels pass through the unit. In practice that is 128 channels in and out at 48 kHz and 24 bit, 64 in and out at 96 kHz, and 32 in and out at 192 kHz. Up to 16 AVB streams are supported, and each stream can be configured from 2 to 32 channels, so the layout matches the network rather than a fixed block size.\u003c\/p\u003e\n\u003ch2\u003eConnections\u003c\/h2\u003e\n\u003cp\u003eOne gigabit Ethernet port on RJ45, compliant with 802.3, carries the audio. USB 3.0 connects the computer. Word clock in and out sit on BNC. Clock sources are internal, AVB or word clock.\u003c\/p\u003e\n\u003cp\u003eThe single headphone output on a 6.3 mm unbalanced jack is a monitoring point, and it is a proper one: 110 dB RMS unweighted, 113 dBA dynamic range, 2 ohm output impedance, 50 mW maximum at 0.1 percent THD. Frequency response reaches 20.8 kHz at 44.1 kHz, 45 kHz at 96 kHz and 89 kHz at 192 kHz.\u003c\/p\u003e\n\u003ch2\u003ePower and size\u003c\/h2\u003e\n\u003cp\u003eThe Digiface AVB draws its power from the USB bus, typically 1.5 W and at most 2 W, which is 400 mA at 5 V. It measures 112 x 26 x 83 mm and weighs 300 g, so it travels in the same bag as the laptop. TotalMix FX, an AVDECC controller and DigiCheck are included.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e Up to 256; 128 I\/O at 48 kHz, 64 at 96 kHz, 32 at 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAVB streams:\u003c\/strong\u003e Up to 16, each configurable from 2 to 32 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer connection:\u003c\/strong\u003e RME USB 3.0\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNetwork:\u003c\/strong\u003e 1 x Gigabit Ethernet RJ45, 802.3 compliant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e BNC in and out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock sources:\u003c\/strong\u003e Internal, AVB, word clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone dynamic range:\u003c\/strong\u003e 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone impedance:\u003c\/strong\u003e 2 ohms, 50 mW max at 0.1 percent THD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 0 Hz to 20.8 kHz at 44.1 kHz, to 45 kHz at 96 kHz, to 89 kHz at 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 kHz to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e USB bus powered, 1.5 W typical, 2 W maximum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 112 x 26 x 83 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 300 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware:\u003c\/strong\u003e TotalMix FX, AVDECC controller, DigiCheck\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161959420042,"sku":"SKU_1743511010342_560","price":88311.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/08455540-9128-4b24-b2aa-18c5575204ea.webp?v=1743511013"},{"product_id":"rme-digiface-aes-14x16-audio-interface","title":"RME Digiface AES 14x16 Audio Interface","description":"\u003cp\u003eThe RME Digiface AES is a 14x16 channel USB interface built around AES\/EBU, bus powered, in a half rack box of 880 g. It is the unit for a facility whose signals arrive on XLR as AES rather than on ADAT or MADI.\u003c\/p\u003e\n\u003ch2\u003eWhat is on the panel\u003c\/h2\u003e\n\u003cp\u003eThe published I\/O count is 14 inputs and 16 outputs: two mic\/line analog inputs, four analog outputs, and the digital ports on top of those. The AES\/EBU I\/O is on XLR, transformer balanced and galvanically isolated, which is what keeps a ground loop between two buildings out of the audio. A 6.3 mm unbalanced headphone output handles monitoring.\u003c\/p\u003e\n\u003ch2\u003eClock behaviour\u003c\/h2\u003e\n\u003cp\u003eClocking is SteadyClock FS, with internal, AES, SPDIF and ADAT as selectable sources. Jitter suppression of external clocks is better than 50 dB above 1 kHz, so a mediocre incoming clock does not become a mediocre recording. Sample rates run from 28 kHz to 200 kHz, with figures published at 44.1 kHz, 96 kHz and 192 kHz.\u003c\/p\u003e\n\u003ch2\u003ePower and portability\u003c\/h2\u003e\n\u003cp\u003eThe Digiface AES runs from USB 2.0 bus power or an external supply, drawing about 3 W. It measures 215 x 44 x 130 mm and weighs 880 g. TotalMix FX and DigiCheck NG are included with the drivers, so routing and metering work the same way as on the rest of the RME range.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 14 in, 16 out\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog:\u003c\/strong\u003e 2 mic\/line inputs, 4 outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAES\/EBU:\u003c\/strong\u003e 1 x I\/O on XLR, transformer balanced, galvanically isolated\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphones:\u003c\/strong\u003e 1 output, 6.3 mm unbalanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer connection:\u003c\/strong\u003e USB 2.0, bus powered\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 28 kHz to 200 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock:\u003c\/strong\u003e SteadyClock FS; sources internal, AES, SPDIF, ADAT\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter suppression:\u003c\/strong\u003e Better than 50 dB above 1 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e USB bus power or external supply, about 3 W\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 215 x 44 x 130 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 880 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware:\u003c\/strong\u003e TotalMix FX, DigiCheck NG, drivers\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161961058442,"sku":"SKU_1743511072724_769","price":217002.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/d5fb9bc4-f10c-45ba-98aa-cc9d8dba7a49.webp?v=1743511103"},{"product_id":"rme-babyface-pro-fs-24-channel-usb-b-audio-midi-interface","title":"RME Babyface Pro FS 24-Channel USB-B Audio\/MIDI Interface","description":"\u003cp\u003eThe RME Babyface Pro FS is a premium, 24-channel portable USB audio interface designed for professional studio and mobile use. Famed for its exceptional build quality and industry-leading low-latency drivers, it features high-resolution \\(192\\,\\text{kHz}\\) conversion and SteadyClock FS technology for flawless jitter immunity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+19 \/ +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion \/ overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.\u003c\/li\u003e\n\u003cli\u003eFull SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.\u003c\/li\u003e\n\u003cli\u003e3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.\u003c\/li\u003e\n\u003cli\u003eMic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.\u003c\/li\u003e\n\u003cli\u003e6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).\u003c\/li\u003e\n\u003cli\u003eAll the above improvements were achieved without raising the units power consumption.\u003c\/li\u003e\n\u003cli\u003eK-slot for theft protection.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161962762378,"sku":"SKU_1743511142587_944","price":87390.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/ed02306d-d2f5-429d-92eb-e3f23d1507e0.webp?v=1743511176"},{"product_id":"rme-avb-tool-mic-preamp-router-and-converter","title":"RME AVB Tool Mic Preamp, Router, and Converter","description":"\u003cp\u003eThe RME AVB Tool is a half rack box holding four microphone preamps, a MADI port and an AVB network interface, so a small number of high quality inputs can join a large network. It is the four channel end of RME's network range.\u003c\/p\u003e\n\u003ch2\u003eFour inputs worth putting on a network\u003c\/h2\u003e\n\u003cp\u003eFour XLR\/TRS combo sockets take microphone, instrument or line sources. XLR gain is 75 dB and TRS gain is 42 dB, both in 1 dB steps. The XLR path measures above 117 dB RMS unweighted and above 120 dBA signal to noise, with THD below -110 dB at 30 dB gain, which is 0.00032 percent.\u003c\/p\u003e\n\u003cp\u003eTwo balanced line outputs on 6.3 mm TRS and a stereo headphone output handle the return leg. The headphone output measures 115 dB RMS unweighted, 118 dBA, with THD+N below -100 dB.\u003c\/p\u003e\n\u003ch2\u003eAVB and MADI together\u003c\/h2\u003e\n\u003cp\u003eAVB runs eight streams of up to 16 channels each per direction, up to 128 channels in total. MADI is on coaxial BNC with an optional optical SFP, at 64 channels single speed, 32 double speed and 16 quad speed, all 24 bit. Word clock is on 75 ohm BNC and clocking is SteadyClock FS. Sample rates are 44.1, 96 and 192 kHz.\u003c\/p\u003e\n\u003ch2\u003eOn the unit\u003c\/h2\u003e\n\u003cp\u003eA 1.54 inch colour display with an encoder and buttons handles setup at the box. USB 2.0 is present for remote control and firmware. Power comes from an external 2 A 100 to 240 V AC supply, drawing 13 W in use and 0.5 W in standby. The enclosure is 215 x 44 x 130 mm and weighs 1.0 kg.\u003c\/p\u003e\n\u003cp\u003eAgainst the 12Mic, the difference is channel count and nothing else that matters: four preamps here, twelve there, with the same gain range and the same class of conversion.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e 4 x XLR\/TRS combo, mic, instrument or line\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR gain:\u003c\/strong\u003e 75 dB in 1 dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRS gain:\u003c\/strong\u003e 42 dB in 1 dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput SNR:\u003c\/strong\u003e Above 117 dB RMS unweighted, above 120 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput THD at 30 dB gain:\u003c\/strong\u003e Below -110 dB, 0.00032 percent\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine outputs:\u003c\/strong\u003e 2 balanced, 6.3 mm TRS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphones:\u003c\/strong\u003e 1 stereo, 115 dB RMS unweighted, 118 dBA, THD+N below -100 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAVB:\u003c\/strong\u003e 8 streams up to 16 channels each per direction, up to 128 channels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e Coaxial BNC, optional optical SFP; 64 \/ 32 \/ 16 channels at single, double, quad speed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e 75 ohm BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock:\u003c\/strong\u003e SteadyClock FS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 kHz, 96 kHz, 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 1.54 inch colour with encoder and buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB:\u003c\/strong\u003e 2.0 for remote control and firmware\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e External 2 A 100 to 240 V AC, 13 W typical, 0.5 W standby\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 215 x 44 x 130 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.0 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161964564618,"sku":"SKU_1743511211216_535","price":166758.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/9f9642bc-689e-4a90-92e2-6b59557e3d11.webp?v=1743511243"},{"product_id":"rme-arc-usb-advanced-remote-control-for-totalmix-fx","title":"RME ARC USB Advanced Remote Control for TotalMix FX","description":"\u003cp\u003eThe RME ARC USB is a hardware remote for TotalMix FX. It puts monitor level, talkback, dim, mono and transport under your hand instead of under a mouse, and it works with every RME interface that TotalMix FX supports, going back to 2001.\u003c\/p\u003e\n\u003ch2\u003eWhat it controls\u003c\/h2\u003e\n\u003cp\u003eThe encoder wheel handles main volume. Around it, the key rows are configurable from within TotalMix FX, so the functions you reach for most sit where you want them. In stand-alone mode the layout is fixed and useful straight away: the first row selects four setups, the second row two more, the third row gives mono, two headphone volume controls and dim, and the lower keys run record, play and pause, and stop.\u003c\/p\u003e\n\u003cp\u003eBecause the assignment lives in TotalMix FX rather than in the remote, changing what a key does is a software change, not a rewiring job.\u003c\/p\u003e\n\u003ch2\u003eConnection and compatibility\u003c\/h2\u003e\n\u003cp\u003eARC USB connects as a USB 1.1 UAC1 MIDI remote and is bus powered, drawing very little current. Windows and macOS detect it without a driver install. It can control several interfaces at once, and it works either connected to a computer or stand-alone.\u003c\/p\u003e\n\u003cp\u003eDirect connection is supported on the UFX series, the 802 FS, the UCX II and the MADIface XT II. For longer cable runs RME recommends active USB 2 cables beyond 20 metres, which is worth knowing if the remote sits at a talent position and the interface is in a machine room.\u003c\/p\u003e\n\u003ch2\u003eWhy a hardware remote at all\u003c\/h2\u003e\n\u003cp\u003eA monitor level control that needs a window in focus is a monitor level control you will not use during a take. ARC USB keeps level, dim and talkback reachable while the DAW is doing something else, and it keeps the same controls available when the interface is running with no computer at all.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Hardware remote for TotalMix FX\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnection:\u003c\/strong\u003e USB 1.1 (UAC1) MIDI remote, bus powered\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e All RME interfaces supported by TotalMix FX, from 2001 onward\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect connection:\u003c\/strong\u003e UFX series, 802 FS, UCX II, MADIface XT II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModes:\u003c\/strong\u003e Stand-alone and computer connected\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand-alone encoder:\u003c\/strong\u003e Main volume\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand-alone keys:\u003c\/strong\u003e Six setup selections, mono, two phones volumes, dim, record, play and pause, stop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultiple units:\u003c\/strong\u003e Can control several interfaces at once\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCable:\u003c\/strong\u003e Works with USB 2 cables; active cables recommended beyond 20 m\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration:\u003c\/strong\u003e Assignable in TotalMix FX\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161966465162,"sku":"SKU_1743511289173_104","price":17665.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/9bad4ee1-ad7a-418c-a8a0-f4b2a3e7395f.webp?v=1743511312"},{"product_id":"rme-12mic-d-network-ready-microphone-preamp-with-dante-adat-and-madi","title":"RME 12Mic-D Network-Ready Microphone Preamp with Dante, ADAT, and MADI","description":"\u003cp\u003eThe RME 12Mic-D is the Dante version of the 12Mic: twelve remote controlled microphone preamps with 75 dB of gain, feeding up to 64 Dante channels over two redundant network ports, with MADI and ADAT alongside.\u003c\/p\u003e\n\u003ch2\u003ePreamps and conversion\u003c\/h2\u003e\n\u003cp\u003eTwelve microphone and line inputs on XLR, the first four also taking TRS. XLR gain is 75 dB in 1 dB steps with a maximum input of +18 dBu at 0 dB gain; the TRS inputs give 42 dB in 1 dB steps and take +20 dBu at 8 dB gain.\u003c\/p\u003e\n\u003cp\u003eThe XLR path measures above 117 dB RMS unweighted and above 120 dBA signal to noise, with THD below -110 dB at 30 dB gain, or 0.00032 percent, and THD+N below -104 dB. The TRS inputs measure 115 dB RMS unweighted and 118 dBA.\u003c\/p\u003e\n\u003ch2\u003eDante with real redundancy\u003c\/h2\u003e\n\u003cp\u003eTwo RJ45 gigabit ports carry up to 64 Dante channels and are fully redundant, so a cut cable or a failed switch port does not take the stage box off the network. MADI is available at the same time on coaxial BNC, with an optional optical SFP module, in 56 channel and 64 channel modes plus 96k frame. Three TOSLINK ports give ADAT output, including quad speed S\/MUX4 at 192 kHz.\u003c\/p\u003e\n\u003ch2\u003eRunning it\u003c\/h2\u003e\n\u003cp\u003eA 1.54 inch colour display with control knob and four buttons handles local setup, and the unit is controlled remotely over HTTP and JSON. Sample rates run 44.1 kHz to 192 kHz. Word clock is on BNC.\u003c\/p\u003e\n\u003ch2\u003eChoosing between 12Mic-D and 12Mic\u003c\/h2\u003e\n\u003cp\u003eThe preamps and converters are the same in both. The 12Mic-D is for a Dante plant, the 12Mic for an AVB plant. Both keep MADI as a second path, so either can bridge into a MADI console or interface such as the Fireface UFX III.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreamps:\u003c\/strong\u003e 12 XLR, first 4 also TRS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR gain:\u003c\/strong\u003e 75 dB in 1 dB steps, +18 dBu max at 0 dB gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRS gain:\u003c\/strong\u003e 42 dB in 1 dB steps, +20 dBu max at 8 dB gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR SNR:\u003c\/strong\u003e Above 117 dB RMS unweighted, above 120 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR THD at 30 dB gain:\u003c\/strong\u003e Below -110 dB, 0.00032 percent\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e Below -104 dB, 0.00063 percent\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRS SNR:\u003c\/strong\u003e 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 kHz to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDante:\u003c\/strong\u003e Up to 64 channels, 2 fully redundant RJ45 ports\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e Coaxial BNC standard, optical via optional SFP, 56 and 64 channel modes, 96k frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT:\u003c\/strong\u003e 3 x TOSLINK, quad speed S\/MUX4 at 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 1.54 inch colour, control knob, four buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e HTTP and JSON over network\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e Internal 30 W 100 to 240 V AC, or external 12 V 2.5 A DC, typically 20 W, standby 0.5 W\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 440 x 44 x 243 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161968562314,"sku":"SKU_1743511355713_863","price":380597.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/c8710f7a-e075-48c4-842b-19827f3b354a.webp?v=1743511386"},{"product_id":"rme-12mic-mic-and-line-level-preamp-for-audio-networks","title":"RME 12Mic Mic- and Line-Level Preamp for Audio Networks","description":"\u003cp\u003eThe RME 12Mic is a twelve channel microphone preamp and AD converter for networked audio, with AVB, MADI and ADAT on the back and remote gain control from a browser. It puts twelve preamps where the microphones are and sends them over one network cable.\u003c\/p\u003e\n\u003ch2\u003eTwelve preamps, no pad\u003c\/h2\u003e\n\u003cp\u003eAll twelve channels give 75 dB of gain in 1 dB steps and accept up to +18 dBu with no pad switch in the path, so nothing is inserted in front of the signal to handle a loud source. Four of the inputs double as XLR\/TRS with high impedance for instruments.\u003c\/p\u003e\n\u003cp\u003eConversion is 24 bit at 44.1 kHz to 192 kHz, with signal to noise above 117 dB RMS unweighted and above 120 dBA, and THD below -110 dB at 30 dB gain.\u003c\/p\u003e\n\u003ch2\u003eThree transports on one box\u003c\/h2\u003e\n\u003cp\u003eAVB runs on two RJ45 gigabit ports, eight streams per direction of up to 16 channels each, with redundancy across the pair. MADI is on coaxial BNC with an optional optical SFP module, carrying 64 channels at 48 kHz, 32 at 96 kHz and 16 at 192 kHz, and MADI input redundancy when the SFP is fitted. Three TOSLINK ports give ADAT output. Word clock is on BNC, and clocking is SteadyClock FS.\u003c\/p\u003e\n\u003ch2\u003eControl without a laptop in the rack\u003c\/h2\u003e\n\u003cp\u003eA 1.54 inch colour display with a control knob and four buttons sets everything on the unit itself. Remote control is over HTTP and a JSON API, with IEEE 1722.1 ATDECC and MIDI over MADI also supported, and a USB 2.0 port for firmware and control. Gain is remote controlled, which is the point: the preamp lives at the stage end and the gain changes from the control room.\u003c\/p\u003e\n\u003ch2\u003e12Mic or 12Mic-D\u003c\/h2\u003e\n\u003cp\u003eIdentical preamps and converters. The 12Mic speaks AVB on its network ports. The 12Mic-D speaks Dante, up to 64 channels with two fully redundant ports. Pick the one your existing network already runs.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreamps:\u003c\/strong\u003e 12, XLR, 4 also XLR\/TRS with Hi-Z\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain:\u003c\/strong\u003e 75 dB in 1 dB steps, PAD free\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax input level:\u003c\/strong\u003e +18 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution:\u003c\/strong\u003e 24 bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR:\u003c\/strong\u003e Above 117 dB RMS unweighted, above 120 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD at 30 dB gain:\u003c\/strong\u003e Below -110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1 kHz to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAVB:\u003c\/strong\u003e 2 x RJ45 1 GigE, 8 streams per direction up to 16 ch each, redundant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI:\u003c\/strong\u003e Coaxial BNC, optional optical SFP, 64 ch at 48 kHz, input redundancy with SFP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT:\u003c\/strong\u003e 3 x TOSLINK\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord clock:\u003c\/strong\u003e BNC I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock:\u003c\/strong\u003e SteadyClock FS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay:\u003c\/strong\u003e 1.54 inch colour, control knob, four buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote:\u003c\/strong\u003e HTTP, JSON, IEEE 1722.1 ATDECC, MIDI over MADI, USB 2.0\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphones:\u003c\/strong\u003e 1 output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e Internal 30 W 100 to 240 V AC, optional 12 V 2.5 A DC, typically 20 W\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 440 x 44 x 243 mm, 1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.8 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":46161977147530,"sku":"SKU_1743511471056_656","price":324465.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/8576\/8586\/files\/6d425502-8782-495e-8c65-a571a08e8a9f.webp?v=1743511497"}],"url":"https:\/\/proaudiobrands.com\/collections\/rme.oembed","provider":"Pro Audio Brands","version":"1.0","type":"link"}